Monday, September 24, 2012

Birthday Post--Muppets

Ah, another week.

Normally, today would be about my next book for my readings in the genre class. But it’s not.

Because….

Today’s my birthday!

*Happy dance*

Incidentally, today is also Jim Henson’s birthday—the creator of the Muppets.

I love the Muppets, so for both Henson and myself, I present my top five favorite Muppet Moments.

5. “Wrong Dwarves”

From Sesame Street—Kermit brings us another “Breaking News Story” from the house of the wrong Seven Dwarves.

4. “Light the lamp, not the rat”

From “A Muppet Christmas Carol”—wonderful scene where Gonzo accidentally lights Rizzo on fire.

3. “Bohemian Rhapsody” by the Muppets

Awesome—that is all.

2. “Roll Call”

From “Muppet Treasure Island”—I feel so bad for Kermit here.

1. “Muppaphone: Witch Doctor”

The ending secured this video spot #1.

See you out of the box,
Caboodle

Friday, September 21, 2012

Author Interview--Sally Bosco

Hello again,

It’s Fiction Friday, and I have another author interview. I present Sally Bosco. Okay, interviewee, take it away.

About Sally Bosco:
Sally Bosco writes dark fiction for teens. She is inexplicably drawn to the Uncanny, the shades of gray between the light and dark, the area where your mind hovers as you’re falling off to sleep. She loves writing young adult fiction because she strongly relates to teenage angst, the search for self-identity and the feelings of being an outsider.

What book and/or experience made you want to be a writer?

When I was very young, in grammar school and middle school, I loved the writings of Ray Bradbury. I wanted to capture that magic, so my first stories were very bad attempts at science fiction. I’ve always loved reading, and throughout my life I’ve read widely, from D.H. Lawrence to Anais Nin to manga. My serious attempts to become a writer were inspired by Anne Rice’s Vampire Chronicles. Her books transported me to a dark world I wanted to explore further. The thing that’s improved my writing the most has been getting an MFA in Writing Popular Fiction from Seton Hill University. The intensity of the studies took my writing to a whole new level.

What genre(s) do you write?

I most enjoy writing in the young adult genre. I’ve naturally been drawn to horror, not overly-violent splatter-punk type, but creepy, psychological stories. Ghost stories and anything related to Freud’s theory of the Uncanny interests me. Lately, however, I’ve been writing novels that explore gender. One is about a cross-dressing teen and the other is written from the point of view of a person of indeterminate gender.

Publication history?

My published novels include: AltDeath.com, the story of an Internet vampire; Shadow Cat, an adult paranormal romance written as Zoe LaPage; and most recently, The Werecat Chronicles, the story of a young girl who at first isn’t aware that she was born into a family of werecats. All are available in paperback and ebook versions. I was a contributor to Many Genres, One Craft, and I’ve had short stories published in literary magazines and anthologies, most recently the Small Bites anthology. Also, I have an MFA degree in Writing Popular Fiction from Seton Hill Universityy.

Works in progress?

This is my work in progress: Written from the point of view of a person of indeterminable gender—Poisonous Garden is a love story between Palmer, an introverted artist, and the free-spirited Jackie who disappears mysteriously after their love reaches an intense peak.

This has been quite challenging and fun to write, not being able to give away any clues to the main character’s gender, especially since it’s a love story.

For other aspiring writers, any tips?

It depends on what level you’re at. If you’re first starting out, you need to find a good writers’ group or take some classes so you’re not writing in a vacuum. After that, I can’t stress enough the importance of writing every day. It’s the only way to improve. Read widely. Read books instead of watching television. When you read the works of great writers, you internalize the rhythms of their prose and you’re more likely to create beautiful, strong words yourself.

What’s your favorite book/genre to read?

I read lots of different stuff but lately I think some of the best books out there are young adult. I do have a weakness for literary novels, also, such as the work of A.S. Byatt.

What’s your favorite thing you’ve ever written?

My favorite novel I’ve ever written is Cevin's Deadly Sin, the story of Cevin, a hetero teen cross-dresser who is trying to make it through his senior year in a small Florida town. To add to his problems are a school bully, Hunt, who picks on him non-stop, an evangelical mom who thinks he’s doing "that thing the Lord despises," and a girl, Tessa, who is the only one who could possibly understand him if he could get up the nerve to tell her about his cross-dressing.

I’m still searching for an agent for this one. I think the subject matter may put people off, but it was a story I needed to tell, and I feel very close to it.

Spoilers?

From The Werecat Chronicles:
---
“This can’t be real. It’s not possible.” I had the creeping realization that he’d sought me out somehow, for his own purposes. Why did he just happen to be there that night when I was being attacked in the woods? The pieces started to fall together. I stopped dead. “I hear something.”
“What do you hear?”
I tilted my head. “People.” I held out my hand, touching the air. “And I feel heat, too.” I looked at his classic features in the moonlight. His profile could have been that of a Renaissance statue. The sheer beauty of him, the strangeness of the situation, made the surreal seem possible.
The scent of burning pine filled my head.
We walked a little further, and soon I saw a bonfire with figures milling around it and smelled the wood-singed scent that reminded me of fireplaces on a crisp winter day.
“Is this the rave?” I asked, knowing full well it was not. “I can make out Molly and Cristen. Josh.”
“No, this isn’t a rave. Tonight this is just for you. It’s you’re werecat birthday, and we’re going to help you change.”
---

The Werecat Chronicles cover was designed by Lynne Hansen.

Want more from Sally? Says she….

You can read more about me on my web page, SallyBosco.com, and connect with me through Facebook and Twitter..

Wednesday, September 19, 2012

"I Wish I Could Go Back to Grad School" - Parody Lyrics for Writers

Hello folks,

Last month around this time I delivered to you a parody of Carly Rae Jepsen’s “Call me Maybe” entitled “Read My Novel Maybe.” In honor of my fun in writing that post, I have decided to make the second to last Wednesday of each month “Parody Lyrics for Writers.”

This month I have one that hits close to home. It is specific to the Seton Hill University MFA in Writing Popular Fiction experience and to the tune of “I Wish I could go back to College” from the Broadway musical “Avenue Q.” Listen along as you read here.

WARNING: Strong language in both the parody and original.

Enjoy

---

I wish I could go back to grad school
Life is so simple at SHU

What would I give
To go back and Live
In the dorms or hotels with my group

I wish I could go back to grad school
In grad school you know who you are
You sit in the caf
Shout, cry and laugh
And know that you’re gonna go far

How do I go back to grad school?
I can’t write alone anymore
I want to go back into class and find a lesson on dry erase pen on the board

Wish I just had modules
Plot and POV stuff’s okay
Meet with my mentor
Guest speaker last day

I need all of my teachers and mentor to point the way

I could be
Sitting down at the hotel bar
4am before the final critiques are due
Cursing the world cuz I didn’t start sooner
And helping my friends critique their stuff too

I wish I could go back to grad school
How do I go back to grad school?

I wish I had taken more notes

But if I were to go back to grad school
Think how little I’d do

I’d walk into crit
And think holy sh*t

I’d never write if I lived at SHU

---
Wednesday Word Tally

As promised—my urban fantasy word count for the week and some extra info. This week meet the short synopsis.

Half-dryad Vern Sumac works for her boss/best friend, Warren Gazeban, at the Magical Investigation Agency (MIA). The magically assisted theft starts her on a case and brings her into contact with Eliot Keeper (a reporter for the New York Times). When she witnesses the murder of Keeper (as a wolf) by a second wolf, she discovers that all is not as it seems and must find both Keeper’s murderer and the device that Keeper (who had non-magical blood in his veins) used to give himself the ability to turn into a wolf.

DayStart CountWrittenFinal Count
9-1222,44853722,981
9-1322,98155123,532
9-1423,532117324,705
9-1524,705135326,058
9-1626,058133527,393
9-1727,39357527,968
9-1827,96885728,825

Total Written: 6377
Average words per day: 911
Words remaining: 51,175

Monday, September 17, 2012

"The Other Man:" Getting it Square about Love Triangles

Welcome back and I hope everyone had a good weekend.

I had a very uneventful weekend. Friday night I said to myself, “Self,” (just kidding) “I want to read some urban fantasy.” So I set out to find some good urban fantasy that didn’t focus on vampires. I’m not big on vampires.

I discovered Cassandra Clair’s “Mortal Instruments” series, which I dove into after seeing the quote before part one in “City of Bones” was from “Milton’s “Paradise Lost.” I took a class on “Paradise Lost” during my undergrad, and I have a soft spot for it. I finished “City of Fallen Angels” last night and plan on starting “City of Lost Souls” tonight. And then I plan on reading the “Infernal Devices” books also by Cassandra Clair. What can I say? I’m hooked with the angels and demons thing.

But I’m not going to review Clair’s work today. I’m still in the initial read phase. I’m reading for fun, not to analyze, though stuff does jump out at me every so often. No, today I am going to talk about something that Clair made me realize—the “love triangle issue.”

WARNING: This post will give spoilers for the following series:

-“Mortal Instruments”
-“The Stephanie Plum Novels” – Janet Evanovich
-“Twilight” – Stephenie Meyer
-“Fever Series” – Karen Marie Moning
-“The Hunger Games” – Suzanne Collins

DISCLAIMER: I am not a romance writer. And before anyone asks, yes, these are all female writers. Yes, these are all stories that involve two-boy, one-girl love triangles. I’m talking specifically about these types of stories. I’m not discriminating.

Let’s go back to the “Mortal Instruments.” Clary (the protagonist) starts out the story at a club with her best friend, Simon. As the story progresses, she meets Jace—a strikingly handsome and reckless shadowhunter. As things continue, it becomes apparent that Clary would be safer with Simon. She should be with Simon. Anybody with a sense of self-preservation would go for Simon.

Clary wants Jace, and I wanted her to end up with Jace.

This got me thinking about those three classifications of heroes—alpha, beta, gamma.

To put it out there real quick:

-Alpha – the self-sufficient, macho man who can do it himself
-Beta – the softer guy who is caring and often what the alpha is turned into by the end of the story
-Gamma – sort of a mixture, the “I can do it myself” guy who cares about people

Simon is a beta. Jace is an alpha. Clary would be better off with Simon. Most girls would probably be better off with Simon. I like Jace better. And so far, she is with Jace.

So this got me thinking that I go for alpha males.

Except, I don’t.

To illustrate this, I now move to “The Fever Series.” Mac Lane protests her growing attraction to Jericho Barrons—the definition of alpha male—for most of the first four books. Barrons fights for her affections against V’Lane—a deadly erotic fae prince—and Christian MacKelter—a devilishly handsome young Scotsman. In the end, Mac ends up with Barrons. I never really liked V’lane—least of all after he was revealed to be the over-arching villain Cruce—and characterized him as another alpha. Christian, on the other hand, I rooted for. I wanted Mac and Christian to end up together. Christian—the gamma.

So much for my alpha love. Now I was after the gamma. I wanted the heroine to end up with the Gamma, and she didn’t. Even though Barrons sort of turns into a gamma by the end of the books, I still wanted Mac to be with Christian.

I experienced the same feeling when reading “Twilight.” Yes, I read “Twilight.” Don’t judge me. I don’t like the books, but I wanted to be able to say I read them and be able to back up my reasons for disliking them. I can do this, but will not today. Maybe in a future post.

Back on topic, I hate Edward Cullen. I’d define him as an alpha with serious beta “problems.” I would not define him as a gamma. Jacob Black is a gamma, who is very in-touch with his alpha side. I like Jacob better. I wanted Bella to end up with Jacob. All right, this was mainly out of my deep dislike of vampires and my desire for Bella to wake up and realize her own self-worth. But she disappointed me and went with the vamp.

K, so far we have me liking two gammas and an alpha. We also have me agreeing with only one of three matches for my heroines. I have a thing for gammas.

Or do I?

Next we have the “Stephanie Plum” novels. In these books, we are presented with Joe Morelli—a definite gamma—and Ranger—a definite alpha. Stephanie—the situationally challenged protagonist—is in an on-again-off-again relationship with Morelli throughout the series. In her “weaker” off-again moments, she finds herself in Ranger’s bed.

I had to read the eighth book in the series for class last semester. In the online discussion, someone pointed out that “Stephanie belonged with Morelli.” Maybe it’s my pigheadedness, but from that moment on I wanted her with Ranger. Blame my 20th Century upbringing.

Why did I want Stephanie with Ranger, though? No really, why? It couldn’t just be because someone said she belonged with the other guy. I hunted around in my head after reading some more of the books, and it dawned on me. Morelli was over-protective. He’d sooner lock Stephanie in his basement than let her face anything. Ranger, by contrast, let Stephanie do what she wanted and was there to clean up the mess he knew would be in the aftermath. That decided it. I wanted Stephanie with Ranger because he wasn’t a control freak.

But now back to “Mortal Instruments.” Jace is very over-protective of Clary. He lies, cheats, steals—basically does whatever he has to do to keep Clary out of harms way.

Here’s the kicker. For some stupid reason, I don’t mind the protectiveness from Jace. I think there are two reasons for this. One, Clary does what she wants to despite what Jace says. So did Stephanie, but the difference is that Morelli got pissed. Jace just deals with the fact that Clary is her own person after a while. Two, “Mortal Instruments” is young adult. This doesn’t seem like a real reason, but it is. There’s behavior I’ll accept from teenagers that I won’t accept from adults. Over-protectiveness is one of them.

Where are we now? I like alphas because they’re not over-protective.

Now I’m really going to mess with your heads—“Hunger Games.” Gale is an alpha. Peetah is a beta. Someone told me at my Seton Hill residency this past June that it was Peetah that Katniss ended up with. Peetah is exactly who I wanted Katniss to end up with from the beginning. Even in “Catching Fire” when Katniss states her preference for Gale—even in “Mockingjay” when Peetah comes back from the capital seemingly gone from the tracker jacker venom, I still want Katniss to be with Peetah.

Let’s look at this, Peetah is not an alpha. I already said that. He is, however, fiercely protective of Katniss. I think that’s the difference. I didn’t say over-protective. I said fiercely protective. There is a difference. He always volunteers to protect Katniss. He goes back into the arena to protect her. He doesn’t like letting her go off on her own. But he’s not Edward Cullen.

In “Catching Fire” Johanna Mason slaps Katniss across the face. If it were Bella in Katniss’s place, Johanna would have been thrown across the arena and possibly skinned and sucked free of blood before Bella could say “No, Edward.” Johanna Mason slaps Katniss, and Peetah does nothing. I know what you’re thinking. How can I think Peetah’s a good person/lover if he won’t stand up for Katniss when she’s been hit? He knows Katniss can take care of herself. He comes to her rescue when she needs it. Later in the book when the Jabberjays torture Katniss with the desperate sounds of her loved ones, Peetah reaches her and brings her back from the hell the birds left her in. He will do whatever he must to protect her but only in situations where she needs protecting.

K Mary, rein it in.

Where am I going with this? For me, the love triangles only work if the female is as strong as her two male counterparts.

I read somewhere online before reading “Mortal Instruments” that “if you loved Twilight, you’ll love Mortal Instruments.” I did not love “Twilight.” But I can admit where the love triangles from both are similar—specifically Jace and Clary vs. Edward and Bella. I like Jace and Clary. I hate Edward and Bella.

Here’s why. Clary recognizes her own self-worth. She politely listens to Jace’s protests that she stay safe and then promptly ignores them. Bella, with perhaps an exception or two, does whatever Edward wants her to do to stay safe and doesn’t object. She drives a freaking armored car for him. That’s a bit over the top.

Mac is the same way. She ignores Barron’s orders. Stephanie Plum ignores Morelli’s insistence that she stay locked in the house and safe. Katniss—she just takes care of herself.

Alpha, beta, or gamma?

Answer—the Daily Double. (Just kidding.) It doesn’t matter. There’s a reason Stephanie Plum is on and off with Morelli—he smothers her. And he’s a gamma—not an alpha. Barrons controls everything in his life—including Mac at points. He’s an alpha. The strongest love triangles are the ones where both the man and woman grow. What’s important is that people change.

Edward doesn’t change. Bella doesn’t change. The love triangle didn’t work for me. Love triangles shouldn’t be about the girl choosing the hottest guy. They should be about choosing which one makes them feel safe, which one they love and would protect into Hell. It’s about what they can do for each other, not just about what he can do for her.

So back to my personal issue of hardly ever wanting the heroine with the guy she ends up with.

One of two things is at play here. Either I’m a terrible writer/person and don’t understand love at all. I’m hoping this isn’t the case.

Or it’s the product of growing up in a 20th Century home where my parents encouraged me not to “just settle” for someone. “Find a guy who is worthy of you.” In taking this advice, have I set my bar too high? Now I’m even disagreeing with fictional men.

No, it’s just that I’m more like Katniss. I don’t see it right away, but when it happens, I’ll know. I’m glad I figured this out. I was seriously worried about my ability to tell good fiction from bad. But no, I just want my heroines to pick the guy who will most let her be herself and that she would be happiest with. As is seen here, that person is different for everyone.

Lesson—love triangles require three strong characters to work. At least, that’s my opinion.

See you out of the box,
Caboodle

Friday, September 14, 2012

Author Interview--Craig Grossman

Good Friday,

Welcome back to Fiction Friday and another author interview. This week we have Craig Grossman. As always, the interviewee will do the talking. Take it away, Craig.

-What book and/or experience made you want to be a writer?

I’m not sure there is one book or experience that I would classify as the driving force behind my decision to become a writer. Rather, it was more of an ongoing process through college that began with adding creative twists to assigned papers and getting good feedback on those. At first, I wanted to write non-fiction, but when I took a fiction writing class, I was hooked. I then changed my major to creative writing and earned my BA. I then Attended Seton Hill’s Writing Popular Fiction program and earned an Master of Arts degree in the mystery genre. Then the program changed to A Master of Fine Arts, so I continued and earned that degree in the Horror genre. A Walk Through Hell, is my thesis novel for the Master of Arts in Mystery.

-What genre do you write?

My first novel, A Walk Through Hell, is a neo-noir suspense/thriller. Many people ask me just what neo-noir is, and I explain to them that unlike traditional noir where you have a protagonist who is on the “right” side of the law, neo-noir protagonists tend to be of the criminal element.

-Publication history?

Books
A Walk Through Hell, 2009

Short Stories
Perception, Eye Contact Literary Magazine, 2008
Duty, Backroads magazine, 2005
Snowfall, Backroads Magazine, 2005

Plays
Better Safe than Sorry, University of Pittsburgh at Johnstown (one act play performed)

Poems
Twelve Boys, Separation, Washington Square, Backroads Magazine, 2007
Gone, Terror, The Edge, Backroads Magazine, 2006

-Works in progress?

I currently am working on three projects that I had begun and put aside. I hope to have them ready to shop around in the next six-months to a year.

-For other aspiring writers, any tips?

Well, here’s my chance to give words of wisdom.

The first and foremost tip I can give to any aspiring writer is to write. Without words on the page—no matter how sloppy or poorly written—there is no chance for success.

Second, find a place, or time, to write that motivates you. Writing is hard work and trying to do it on a whim only exasperates the problems that come with it.

Third, Writer’s block is a myth. Sure there are times when you can’t get the words out for your current project, but that doesn’t mean that you have nothing to write. Even freewriting counts (this goes back to tip #1.

Fourth and final, revise, revise, and revise again. Don’t be afraid to cut blocks of text or to add what’s necessary to make your writing the best it can be.

-What’s your favorite book/genre to read?

I read almost anything that survives the first pages test. That being said my favorite genres are horror and mystery. I also like to read non-fiction.

-What’s your favorite thing you’ve ever written?

Hmm, it’s hard to place one complete work above the other, so I think I’ll focus on my favorite scenes. I wrote a scene where a guy who stole from a crime boss had his tongue cut out in a horrible torture scene that I later revised and used in my novel—A Walk Through Hell. I also wrote a scene where one of my protagonists meets up with the woman he has been fantasizing about, and they witness a murder of crows kill one of their own. Another scene I like is the dream sequence where my protagonist spirals into the eye of someone and hangs on to the edge for dear life and then falls into another world where souls are tended to in fields by large ant-men, sort of a surreal Alice through the rabbit hole.

Want more from Craig?

Check out Craig’s website here.

Want to read “A Walk Through Hell?”

Grab it on Amazon in trade paperback or for the Kindle.

Wednesday, September 12, 2012

"That idiot, over there."

Welcome to another Writer’s Wednesday

Last week I discussed villains. Today, I will discuss the necessary component to almost any villain—the bumbling henchman. Following that, I will begin a sub-series that I have entitled “Wednesday Word Tally” and that will continue every Wednesday for the remainder of 2012.

Before I begin, though, a tribute. Yesterday was the eleventh anniversary of a tragedy on American soil—9/11. That day called into action many new fears, sorrows, and questions for the United States. In the last eleven years, I’ve been asked many questions myself about how the attacks affected me. Where were you? How old were you? Did you know anyone who was killed in the attacks? What do you remember feeling when you found out? My answers are mine, but I have a feeling they are not unique.

I was sitting in my seventh grade history class. We were about to begin another class discussing an ancient civilization (which escapes me) when one of the librarians walked into the room. She exchanged words with our teacher, and then said teacher informed us that the Twin Towers had been hit. I was twelve. At first I thought the entire thing had been an accident—how quickly that reaction, born of childhood innocence, was taken from me.

Thirty seconds changed the world I knew and took for granted as safe. I didn’t fully understand. What twelve-year-old could? In the last eleven years I’ve grown to understand. I’ve learned that as much as I wanted to curl into a ball and hide from the world that day, I couldn’t because that was exactly what the terrorists wanted. And how can I justify curling up and pretending nothing happened when three thousand people are dead?

If there’s one lesson to take from 9/11 it is to never give in. Don’t stop living your life. Fear is crippling. Fear lives in all of us. But we need to fight. Not just for ourselves but for those who lost. We need to fight for 3000 people who woke up and went to work or got on a plane and who never dreamed they’d never see their loved ones again. Fight the fear. Fight for the hope.

Please join me in a moment of silence for the 9/11 victims and their families and loved ones.

---…---…---

Thank you

---

All right, evil henchmen. Why are they there? I’ve discovered a couple of uses. I’ve seen them be comic relief, allow the villain’s presence to be in multiple places at once, mess up the villains plans, and annoy the villain.

Notice that I did not include “help the villain.” While this does happen occasionally, I’ve seen far more cases of just the opposite.

What does this mean for the creation of henchmen? It means that room should not be left within the story’s plot for the “henchman’s great discovery.” Odds are good, there isn’t one. To try and help this process, here are three qualities to give your characters to make them the best (or maybe worst) henchmen ever.

-“I’ve got the gold here, pa.” – The Outlaw Josie Wales
This is a common problem. Money is tantalizing, and henchmen often fall for the “I’ve got the gold/money/loot/gems/valuable cargo” line. And, just as often, there is no valuable cargo to speak of. In its place is usually a weapon that the good guy uses to shoot the henchman. But if the henchman didn’t fall for the gold line, then the villain might. What good would that be?

-“I want my own Robin Signal in the sky.” – Batman (1997)
Believe it or not, the side-kick of Gotham City’s caped crusader actually said this. Though Robin is not an evil henchman, the concept outlined here still applies. I will refer to another quote from my father to explain this. “All super heroes have a weakness. Superman had kryptonite. Batman had Robin.” And why was Robin a weakness? Aside from the obvious fact that Batman would have survived just fine without him, Robin’s ego grew from association with the disguised Bruce Wayne. It’s no good when henchmen’s egos get inflated. They start to think on their own and question the villain’s motives. “I do not like bright and ambitious people. You have to watch them all the time” (Hogan’s Heroes). Translation—smart people think, figure stuff out, and eventually want to be the villain rather than the stupid side man.

-“So you took care of him, huh? Dead as a doornail. Weren’t those your exact words?” – Disney’s Hercules
Henchman will lie to their boss to save their skin. While loyal (mainly because they don’t think about exactly why they’re working for a nut case who wants to blow up the world) they are also extremely into self-preservation. They know the villain will be furious when he discovers their mistake—might even find a new stupid henchman. So they do whatever they must to keep their job. This always backfires because, sooner or later, the cat gets out of the bag.

Keep these in mind when creating your own henchmen. They are kind of like puppies—incredibly loyal but not terribly smart. I mean this lovingly. I love puppies. All dogs are puppies, but the comparison here works.

---
Wednesday Word Tally

I announced on my Facebook author page about a week ago that I was making it my goal to finish two of the novels I have in progress by New Years. At the time, one was just under 20,000, and the other was (still is) sitting around 35,000 words. So I decided to take the one that was just under 20,000 and keep track of my words. I did some quick math and found out that to reach my total word goal of 80,000 by December 31, I would have to write 531 words a day.

That’s easy!

Right. As any writer will tell you, that seems like nothing until you get that week where there’s no time whatsoever. All of a sudden, it’s a thousand words a day, then two thousand, and so on.

However I really really do want to finish this by December 31. So, to keep myself honest and to have a public record of my word count each week, I will be posting it here.

But that’s not all. To compliment my Wednesday Word Tally, I will give a little info about the book each week—character profiles, concept inspiration, excerpts. But never enough to give the story away.

Week 1

I have mentioned this work in passing before. It is an urban fantasy set in New York City in a world where magic is a part of everyday life. So, it’s New York as we know it with wizards, fairies, vampires, werewolves, gargoyles, pixies, witches…all right. Maybe it’s not exactly how we know it. Oh and humans. There are plenty of humans walking around perfectly aware of their magical counterparts.

DayStart CountWrittenFinal Count
9-919,35856919,927
9-1019,927145921,386
9-1121,386106222,448

Total words this week: 3090
Average per day: 1030
Words remaining: 57,552

Wednesday Word Tally is made possible by Practiceboard (an html practice site provided by ranchoweb.com) and the basic calculator.

Monday, September 10, 2012

SF vs. Fantasy - Round 1: FIGHT!

K, this post actually doesn’t pit sf and fantasy against one another. I just really wanted to use that Mortal Kombat reference. Lol

Hello folks,

Happy Monday and welcome back. Today is the second in a series of installments that will be based off of my responses to the books for my science fiction and fantasy readings in the genre class for Seton Hill. Two weeks ago I discussed George R. R. Martin’s “A Game of Thrones.” This week “Game of Thrones” is still on the scene, but the science fiction work “Leviathan Wakes” by James Corey is joining it. Together, the works represent the sources for my comparison of science fiction and fantasy and what readers expect/take from each. Here we go.

NOTE: For the sake of argument, when I refer to fantasy throughout this post, unless otherwise specified, I mean epic fantasy and its similar subgenres.

SF (science fiction) vs. fantasy

How much of a “vs.” is there here? Let’s start with the basics.

The following points are generalized to each genre. Not all works from both may exhibit these qualities.

SF
-futuristic
-rooted in science of some kind
-people have developed new behaviors to adapt to life
-as of yet undeveloped living conditions and technology

Fantasy
-takes place in the past
-contains a magic system of some kind
-people live and behave as they would in the appropriate era
-contains past forms of living conditions and society appropriate to the era it resembles

All right, that’s not all of them, but it’s enough for now. On the surface, the two genres look very different, but what I’ve listed here is what you’d include on a venn diagram. These points can be easily applied to “Leviathan Wakes” and “Game of Thrones” respectively.

“Leviathan Wakes” definitely takes place in the future, which is evident by the technology and the fact that people are living in space. The story is rooted in science. If you took away the space ships and other advances (such as the ability to change the amount of gravity effecting an area), the story falls apart. People have developed new behaviors to adapt to life—such as the gesture of nodding with one's hand brought about by the inability to nod normally while in a space suit. Finally, there are living conditions, such as 0g, that we don’t have today. And there is definitely the feeling of futuristic society. The human civilizations not on Earth rely on the Earth for everything. And I mean everything—water, food, air, etc. If that’s not different, what is? I don’t know about you, but I don’t know what I’d do if I was suddenly thrust into an environment where breathable air wasn’t a given.

Similarly, Thrones exhibits the elements that define fantasy. It takes place in a time that we’d consider the past. There is a magic system (no matter how small/as of yet unexplored). People in Martin’s world live as people would have in the past. High-born individuals do what they must to keep their land and their own safe and empowered, and the characters address one another formally (i.e. “My Lady Mother). Finally, there is no electricity, horses are the main mode of travel, and dueling is commonplace. All of these are symbols of a time not our own.

So yes, Leviathan and Thrones fit within the basic outlines of their genre. That’s good for a surface look, but what about a deeper analysis? Take away these basic elements. What’s left?

-escapist (to whatever degree)
-what people will do in extraordinary (ones we don’t face today) situations
-how people will survive (or not) against impossible odds and how the battle will change them

I would argue that these three elements are present in both sf and fantasy. They are orchestrated in two very different ways for each genre, but they are still there.

-Escapist—both genres offer readers the opportunity to move away from current life and into another world. Whether readers want to move forward or back in time—whether they want to live in a world of science or magic is completely up to them. But the opportunity is basically the same. “Leviathan Wakes” offers its readers the chance to leap forward in time to see what mankind can accomplish and possibly become. Thrones, by contrast, hurls its readers back in time to an era where kings and lords vie for power and dominance in an environment where trust and friendship are a luxury. No matter which you choose, you are still thrust into a world that is not today’s.

-what people will do in extraordinary situations—Eddard Stark (“Game of Thrones”) finds himself in a place to make a difference where the king’s heir is concerned. He tries and fails. Jim Holden (“Leviathan Wakes”) is over and over again given important information that he chooses to broadcast to everyone who is listening. These two men can be considered righteous and both want to bring truth out into the open. Eddard fails. Holden succeeds. That’s not the important part, though. What matters is that the situations are remarkably similar for taking place so many thousands of years apart. Both genres are still about humans and what humans will do.

-facing impossible odds and the changes those odds bring—Daenerys (“Game of Thrones”) sets fire to her beloved, gives him up, and emerges from the flames with dragons. To get there, though, she overcame her brother, faced her fears about becoming more than she was, found her voice, watched her husband die, and was betrayed by the woman who said she’d help save him. Through all of that, I’d still say she came out ahead. Miller (“Leviathan Wakes”) leads a ship that has basically developed the ability to think for itself off of its collision course with Earth. It’s not clear if he survives. He’s not sure if he’ll survive, but he does it anyway. He throws himself into a situation where he might die to save Earth. Both characters faced seemingly insurmountable tasks and find the strength within themselves to succeed.

These points laid out, I don’t think “vs.” applies to the difference between sf and fantasy. Beyond the basics that define the genre, there’s very little difference between the stories, challenges, and characters that inhabit the worlds of both. I’d go so far to argue that they are two ends of the same spectrum.

Now don’t go all crazy on me. They are two separate genres, but maybe there’s a reason they’re lumped together on bookstore shelves. They’re about larger than life people taking on larger than life challenges and finding larger than life solutions.

So why read one? Why like one more than the other? For some I suspect the answer is simply “I like stories about outer space” or “I like stories about magic.” I’m going to dig deeper. Diving into my academic past for a minute, in one of my psychology classes in undergrad we talked about what peoples’ interests say about them. It came up that people who embraced science (either by finding it fascinating or making it their life’s work) were more accepting of change. Similarly, people who were less accepting of science (who favored the humanities majors—English, history, etc.) were more resistant to change.

I’m going to run with this for a second. Hold your fire. If what I’ve just said is supported by research, does it then stand to reason that people who read sf are people who embrace change and are looking for a way to see into the future? Conversely, are people who read fantasy more resistant to change and interested in looking backward in time?

I’m not saying that all people who read sf are eager to advance and that all people who read fantasy want to go back to the horse and buggy. What I am saying is that each genre supplies its readers with something that they need to keep their world stable. Sf offers its readers the opportunity to dream big. It gives people who want it the ability to look forward, see the future, and possibly even gather ideas to make that future a reality. Fantasy, by contrast, lets its readers rest secure in the knowledge that the world isn’t advancing too quickly. It allows people to sit back and forget about the potentially frightening prospects of a universe where inter-stellar travel is possible. These assumptions in mind, people who read both would then be neither overly accepting nor resistant to change.

People read for all sorts of reasons—pleasure, education, class. Books give each person something different. I argue that sf and fantasy don’t so much fill reader expectations as fill readers’ voids. It gives them what cannot be found in everyday life. It eliminates that hole where curiosity, fear, amazement, or desire sits. Whether it's into the hypothetical future or fabricated past they go, readers take comfort from their genre.

See you out of the box,
Caboodle